A.R. Penck German, 1939-2017

Overview

"I am interested in movement, rather than something static. That's what I have been looking at all these years, movement"

- A.R. Penck

A.R. Penck was a German Neo-Expressionist whose paintings of figures and symbols nod to both German Expressionism and Art Brut. Penck's Standart works, which employ a lexicon of pictograph-like marks the artist referred to as "building blocks", are essential in understanding both his process and ideology.

 

Though often associated with the graffiti-based work of Keith Haring and Jean-Michel Basquiat, Penck's characteristic style of simplified figures and forms, and neo-primitive symbols and patterns emerged independently as a response to the censorship of the German Democratic Republic. 

 

Born Ralf Winkler on October 5, 1939 in Dresden, Germany, he adopted A.R. Penck as a moniker based on the early 20th-century paleogeologist Albrecht Penck when East German State Security began confiscating his works during the 1960s. Penck played a key role in East German underground art from the 1950s to the 1970s and was a founding member of the socialist artist's groups 'Erste Phalanx Nedserd' (in 1953) and 'Die Lücke TPT' (in 1971). Penck lived in East Berlin from 1963 to '72; unable to exhibit there publicly, he smuggled works out to West Berlin and Switzerland, where he enjoyed enough fame to provide him some protection from the German police. Penck's style fused spontaneous self-expression with restraint, and pop cultural and art historical influences with political and social concerns.

 

Expelled to West Germany by the GDR Communist regime in 1980, he became a part of a milieu of Neo-Expressionist painters which included Georg Baselitz, Markus Lüpertz and Jörg Immendorff. After the pinnacle of his career in the mid-1980s, Penck's work fell from favor for several decades. In the late 2000s, the artist's work began to be reappraised as a legacy integral to the history of art. After a prolonged illness, the artist died on May 2, 2017 in Zürich, Switzerland.

 

Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Kunstmuseum Basel, and the Städel Museum in Frankfurt.

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